Inspired, roughly, by my friend Tom Shear’s “My Favorite Things” posts over at his excellent blog Waveformless, I’ve decided to give a rundown of a few interesting pieces of software that went into the making of Perihelion. Perhaps at some point I’ll delve into the hardware side of things, but …
Continuing in the series of what shaped the sound of AMDM, and what changed.
Between the recording of “Sublimation” and “A Million Different Moments” a number of things changed in terms of the recording environment we used, the processes we followed, and the influences involved. All of these – and some more audibly than others – had tremendous impact on the final output. For …
Note to all reviewers and punters: Dan Clark is a real guitarist, not a synthesizer. That is all.
